Tobi, a young man who developed an interest in sound at an early age, sheds additional insight on his profitable work as an audio engineer.
Sound engineering is a modern component of sound production; it is the creative and practical side of sound, which includes speech and music. It entails setting up, sound checking, and live sound mixing for music concerts, theater, sporting events, and corporate events using an audio console and sound reinforcement equipment.
WHAT INSPIRED YOUR DESIRE?
This is something I started when I was in secondary school. It was something I found myself doing. Later, I had to study harder to improve. It has transported me to several locations. My name has been fiber printed on some major events, and I've met a lot of people, including some great names in gospel and circular music.
Despite the difficulties, I am enjoying it as a profession. As a young man in his late twenties, I've given up a lot for this vocation, including my time, energy, pleasure, financial resources, and so on.
Today, I do not regret those sacrifices because my professional prospects are brighter.
THE PROFITABILITY OF THIS JOB
It's a prosperous business with little money and rewards. Churches and corporate event centers are in desperate need of expert sound and equipment management these days. At today's event centers, you won't see much of what you used to see; new technology has taken over, sound is becoming more technical, and more people are getting involved to address the revolution.
Some universities, particularly in affluent nations, offer major courses in this field, although anyone can learn it if they are interested.
WHAT DOES IT TAKE TO LEARN AND BECOME A PROFESSIONAL?
Learning is a continuous process in the field; depending on how attentive and inquisitive you are, you can only be professionally matured to handle shows and events. We study and update ourselves on a daily basis.
This field is not for the lazy, as it requires a strong commitment to learning and multitasking, humility and preservation, patience, and the ability to conduct research on cutting-edge techniques. For quality production, you must be friendly and have very sharp ears; if possible, get four ears to be more effective.
DIFFICULTIES AS A PROFESSIONAL
You must satisfy everyone, especially the musicians and the audience, because we have different people with distinct hearing sounds. So that's a tremendous problem, and you just have to confront it because taking on that challenge will allow you to demonstrate your professionalism and competence on the job.
WOULD YOU HAVE CHOSEN IT IF THERE WERE OTHER OPTIONS?
No, I adore this aspect of my chosen profession. Nothing interests me more than sound engineering, not even eating, because I don't eat while working until everything is perfect. I find it fascinating, and I don't believe I could do anything else well since I am addicted to audio engineering.
A good one for those who with the knowledge of it
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